One FDS-366 can drive a true stereo 3-way system, or 3 bi-amp outputs for monitors. Add more units and MIDI slave linking to make stereo 4, 5 and even 6-way systems.
Typical applications:
- Stereo 3-way.
- Stereo 2-way plus sub from input C.
- Triple Bi-amp for stage monitors, with delay and EQ.
- Dual tri-amp for stage monitors.
- 96kHz Studio monitoring systems.
- LCR Monitoring systems (post-production).
- 6-way systems.
- 4-way plus 2 full range outputs with separate delay and EQ.
- 6-way Zoning ( full range outputs, giving delays, EQ and limiters on all zones )
WHISEWORKS - *NTM™ and WHISEWORKS - Neville Thiele Method™ are trademarks of Precision Audio Pty.Ltd
"The new filters allow me to put more power to the devices without fear of overload or over-excursion. Once adjusted, sounds better than standard filters. The system seemed louder and clearer. We were setting off alarms in the car park!"
Ferrit, Promix/Electrotec, Las Vegas, Nevada, USA
Other applications are also satisfied, such as zoning to six discrete areas using full range or band-restricted outputs. As a mono sum of all three inputs is available, the FDS-366 will find favour with LCR post-production monitoring systems where a mono sub output is required. A stereo AES/EBU digital input also means that the FDS-366 is an ideal product for studio monitoring applications.
BSS have incorporated the very latest digital technology and DSP algorithms to provide the COMPACT plus with a truly astonishing audio performance. The latest generation of 24-bit converters with carefully engineered support electronics provides a dynamic range in excess of 112dB (unweighted) without employing 'massaging' techniques that could have side effects.
Using a 96kHz sample rate further enhances the sonic performance of the FDS-366. The advantages of this higher rate mean a more natural and open sound thanks to a 40kHz bandwidth and improved filter responses that are possible with the higher Nyquist frequency.
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